Sunday, March 29, 2020

Mathematics

مدى الدّالة المُثلثيّة ذو حدّين بقيمتين دنيا وعُظمى ،في المُثلثات لا يُتصوّر وصول الزوايا لحدود معينة إلا أنّهُ بدائرة الوحدة يُتوصّل إلى توسيع مجال الدّالة ليكون ح فتكون الزوايا بمقاييس أُخرى تعجز عنها المثلثات الواقعيّة وقيم المدى لانهائيّة بين حدّيه للانهائيّة الزوايا الواقعيّة في الدقّة بين حدّين أساسيين كذلكـ ومن ذلكـ يكونُ مُنحنى الدّالة الموجي بهذا الشكل ﻷنّ قيم الدّالة في مداها دوريّة على امتداد محور السين الذي يؤدّي إلى حركة الموجة وتكرار نفس قيم المدى

فرضيّة أنّ طريقة الحل في المعادلة من الدرجة الثانية ما هي إلا من قواعد كثيرات الحدود وليست خاصّة بقواعد حل المعادلات في العموم

من الرياضيّات ما هو للرياضة الذهنيّة وما هو لحل مسائل معينة في مجالات شتّى ومنها ما يكون غير مُجسّد أو مُعيّن الموضوع مثل الجبر الخطّي فهو يُقدّم منظور ما وقواعد تجريديّة لمسائل رياضيّة ومنها ما يكون في تجسّد ومثله البرمجة الخطيّة فهي تستعمل الجبر الخطّي لغرض مقصود ومحدد في الحياة العمليّة ،وتُقدّم الرياضيّات كذلكـ نماذج ومناظير عدّة لنفس نوع المسائل الواحد

في القسمة المُطولة يُختار في كل مرحلة من المراحل المتدرجة خارج القسمة العدد الذي حاصل ضربه في المقسوم عليه يساوي المقسوم في آخر مرحلة وإلا الأقل منه مباشرةً

الكيل من مادّة بعينها له وزنٌ معيّن لذا يُمكن التحويل من كيل إلى وزن لكن في العموم لا يُمكن التحويل بين الكيل والوزن

الأعداد في الرياضيّات مُجرّدة وتأخذ في الفيزياء دلالات فيزيائيّة من حجم ووزن وسرعة وأشباه ذلكـ وفي الإقتصاد تأخذ دلالات تكاليف ماليّة لمثل تلكـ المقادير الفيزيائيّة

عمليّة المقاولة في البناء تحوي شق فزيائي أو علمي وهو علم وفن التقدير في إقامة المبنى وشق إقتصادي وهو حساب التكاليف وشق قانوني

الجبر البولياني مثال على نسق رياضي مُبتكر وذو نتائج رياضيّة لا تطيبق لها على الواقع ثمّ ظهرت لها حاجة واستخدام مباشر في الواقع مع الكمبيوتر

هناكـ مواضيع رياضيّة لا إستخدام لها مباشر مع الواقع عادةً أو غالباً وقد تخدم أفرع أخرى رياضيّة تتعامل مع الواقع  ومثال ذلكـ الجبر الخطّي والمقادير الجبريّه فالجبر الخطّي يدخل في بحوث العمليّات التي تتعامل بشكل مباشر مع الواقع والمقادير الجبريّة تدخل في صياغة مثلاً قواعد رياضيّة لمواضيع تتعامل بشكل مباشر مع الواقع

- There's a handy way to calculate roots, so there will be a formula or flowchart for calculator to calculate roots. There's no known formula for prime numbers, so calculator can't know prime numbers without memorizing saved-before prime numbers. A thought in limitations :)

- Figuring roots by handy ways is like a trickery process rather than the guessing, it's doable technique more than guessing in mathematics. It's not a frank rule or principle in mathematics, it's just a doable technique. 

- Mathematics invents and offers many of techniques to represent and perform complex operations, but someone can think that's for direct usage of our minds, but - in fact- they are for passing 'em to computers to work depending 'em, but you study 'em to understand and to do intellectual sports. For example, linear algebra deals with multi elements like equations systems with huge number of variables and matrices and lot things I didn't study yet, it's not sensible that these complex mathematical constructions are for direct mental calculations, but they are the theory we pass to computers to perform problems effectively. 

- In mathematics, listen to Russian school, not the American one. 

خِلافاً للعمليّات الحسابيّة الأساسيّة هناكـ عمليّات حسابيّة تحايليّة لإيجاد القيمة يدويّاً في مثل الجذور واللوغاريتمات والدوال المُثلثيّة وفي مثل هذه الأحوال تُنشأ الجداول الرياضيّة

الرياضيّات هي لُغة التعبير العلميّة للظواهر الطبيعيّة

أي موضوع رياضي سواءاً يدخل التطبيق في الحياة الواقعيّة بشكل مباشر أو يدخل في بناء غيره الذي يدخل التطبيق في الحياة الواقعيّة يحوي على رياضة ذهنيّة أو يُمكن صياغة مسائل رياضة ذهنيّة له بغض النظر عن الناحية التطبيقية له في الواقع

الرياضيّات تُعطي التصوّر الذهني لجزءيّة علميّة ما

ثيتا ووميجا وأمثالها في قياسات الزوايا أمثال المتغيرات س وص

يُمثّل الكسر النّسبي (الكسري) بدالتي كثيرتي حدود في س في البسط والمقام عوضاً عن هذا المعنى سرديّاً ،فدالة كثيرة الحدود في س تدل على كثيرة حدود في متغير واحد هو س ولو كانت في أكثر من مُتغير لعُبّر عن ذلكـ في رمز الدالة بمتغيراتها

الجذر والرفع ﻷس واللوغاريتم ثلاث عمليّات من جنسٍ واحدٍ لعمليّة أساسيّة وهي الرفع ﻷس فعمليّة لجلب ناتج الرفع لقوّة وأخرى لجلب القوّة المرفوع إليها وأخرى لجلب الأساس

يبدو أنّ الأغوار العلميّة إنّما تعتمد في كثيرٍ من الأحوال على الأداة الرياضيّة فإن كان التدقيق والتفصيل في المادة الرياضيّة يوحي باللاكفاية في التدقيق في دقائق المادة والكون فإنّما المواد العلميّة تستخدم هذه الأداة الرياضيّة في وصف دقائقها ويُستثنى من ذلكـ ما يُستخدم فيه مثلاً المعادلات الكيميائيّة في وصفه ،ومعنى كلامنا أنّ إحسان الرياضيّات هو ممّا يُنوّلنا الإحسان العلمي بدقائقه كذلكـ لاعتماده في الحقيقة على المادة الرياضيّة في وصف مادته غالباً

عندما نُدقّق في المادة الرياضيّة لا نشعر بنفس التدقيق في المادة العلميّة غير أنّنا إنّما نستخدم هذه المادةّ الرياضيّة في وصف الدقائق العلميّة التي نسبُرها

***
When I'm studying probability in math, I asked myself if it's possible if the die gives two numbers or more than one number each time, but it's impossible, but I found that it can be possible if we turned the two dice - for example - to two group of cards.

An example for two dice simulation with cards:

Create two groups of cards, each group represents one die, and for that each group consists of six cards numbered 1 to 6, the cards symbol of one group is different than the other symbol of other group.

For every throw of the two dice, the equivalent of two groups of cards will be turning back the two drawn cards each time and shuffling each group separately out of the other, then draw one card from each group each time.

If you keep drawing cards without turning back previous cards and shuffling again, the probability is changing each time of drawing.

The event of throwing two dice - in fact - is like to be an event that has two partial events, the throwing of each die.

Now, we can use this new form of dice to solve the imaginary probabilities that the actual dice can't have.

(Probability)
***
Imagine that I told you that you have two dice, one of 'em gives two sides each throw and the other gives one side like we know about actual dice. I told you that you'll win if the dice give you values 2 2 3.

Let's imagine a simulation, we can have 6 cards 1 to 6 represents the die that gives two numbers each throw, and a die. In this case, you'll return drawn cards to their group of 6 cards and shuffle then draw each time two cards, these are the die that gives two values every time, then throw the actual die to have the third value. In this case, the only solution is when the two cards are 2 and 3 and the die throw gives 2.

Someone can say, what if we used two dice instead of the 6 cards group, aren't they equivalent to the cards group?

Let's calculate the probabilities:

In 6 cards case, we want 2 and 3, so:
P(2 and 3) = 1/6C2 = 1/15 = 7% approximately

In two dice case, we want 2 and 3, so:
P(2 and 3) = 1/6*6=1/36= 3% approximately

So, in 6 cards case to have 2 and 3, it's likely to happen 4% more than the two dice case, so they are not equivalent to each other.
*** 

قد تكون قواعد إشتقاق المُشتقّة الأولى إنّما هي للوصول مثلاُ كثيرة الحدود التي هي القاعدة التي تُحدد القيمة التي تؤول إليها ص عندما تؤول س إلى قيمةٍ ما ،أي أنّ الإشتقاق من هذا المنظور هو الحل الرياضي العملي للحصول على قاعدة كثيرة الحدود لحل النهاية بدلاً من الحل اليدوي والإحصائي لبحث نهاية دالة

الفرق بين الدالة والمُشتقة أنّ قيمة س في الدالة تعني القيمة الفعليّة لـ س والتي تكون قيمة ص من الدالة مُتوقفة عليها بينما قيمة س في المشتقة تعني القيمة التي تؤول إليها س والتي تتوقّف عليها القيمة التي تؤول إليها ص والمشتقة هي قاعدة حساب هذا التأوّول بدلاً من الحساب اليدوي

الرياضيّات المُتقدمة مبنيّة على الرياضيّات الإعتياديّة وفقد الصلة بينهما يؤدّي إلى إعتوتام الفهم أو فقد الحدس

Fine understanding yields the skill of manipulating and control. It comes from the relation between regular and advanced math

الصور المتقدمة للنهايات أو المُشتقات مبنيّة على تكافؤات جبريّة للصورة الإعتياديّة

تستخدمُ الرياضيّات الإعتياديّة المهارات الذهنيّة الأوليّة بشكل مباشر ولذلكـ فهي منطقيّة جدّاً للذهن في هذه المرحلة بينما الرياضيات المتقدمة تستخدم المهارات الذهنيّة الأوليّة بشكل غير مباشر عن طريق براهين تربط بنيان الرياضيات المتقدمة القائم على الرياضايّات الإعتياديّة ولا يستحضر الذهن البشري البرهان في كل مرّة وإنّما يكتفي بالنتيجة المُقرّرة

قولنا د(س) أنّ د أو ص دالة في س أي أنّ قيمة الدالة أو ص إنّما هي قائمةٌ على قيمة س ولكن يُمكننا أن نقول أنّ د(س) كثيرة حدود في س أي كثيرة حدود متغيرها الأساسي س أي أنّ حدودها مكونة من معاملات والمتغير س ،فيكون الرمز د(س) نائباً عن تعبير كثيرة الحدود ولوكان في كثيرة الحدود أكثر من متغيّر فيُمكن وضع أكثر من متغير مستقل في رمز الدالة

تصويب ،الدّالة المُشتقة هي نهاية دالة متوسط التغير لدالة أخرى أصل ،هب أنّ لدينا د(س) كثيرة حدود في س فالمشتقة الأولى عمليّة مزدوجة فيها بناء دالة متوسط التغيّر لـ د(س) ومن ثمّ حساب النهاية عندما يؤول الفرق بين قيمتي المتغير س إلى صفر  

من درجات تقدّم الرياضيّات ما هو في حدود الممارسة اليدويّة دون الحاجة الماسة لتمريره للكمبيوتر إلا إذا تضخّمت الكمّيّات العدديّة ولكن من درجات التقدّم ما يكونُ في النماذج الرياضيّة المقدمة والتي لا تتلائم بشكل عملي إلى بتمريرها إلى الكمبيوتر

دالة المُشتقة الأولى هي حساب النهاية لدالة متوسط التغيّر للدالة الأصل عندما يؤول الفرق في المُتغيّر المستقل الأساسي س إلى صفر ولذا فهي تحسب نسبة التغير بين ص وس عند نقطة بدلاً من فترة كما في دالة متوسط التغيّر في العموم

دالة مُتوسط التغيّر أساس في اشتقاق دالة الإشتقاق وهي لحساب النّسبة بين المتغير المستقل س والمتغيّر التابع ص ولكن من خلال فترة وليس كنقطة ولذا المتوسط المحسوب يفترض إنتظام النّسبة بين س وص في الفترات المستخدمة وهو ما ليس صائباً بالضرورة في كثير من الحالات

متوسّط التغيّر للدالة د(س) = أس حيث أ ثابت هو نسبة ثابتة ﻷي فترة وهي نفس النّسبة ﻷي نقطة على المنحنى والذي هو خط مُستقيم والمحسوبة بالمُشتقة الأولى أي تتساوى قيمة المُشتقة مع قيمة دالة متوسط التغير ،فالمُشتقة لحساب المتوسّط عند نقطة بتقليص الفرق في س إلى أن يؤول إلى الصفر بينما دالة المتوسّط لحساب النسبة على فترة

قيمة باي لدى كنموذج للعلم لدى من مكنته المعلومة أو العلم من إنجازات على الواقع يتميّز بها عن الآخرين

الرياضيّات أساس العلوم

I searched about what can face me and seem obscure in studying mathematics or science. I found these fields in the beginning, Basic math, Algebraic expression and polynomial, Trigonometry, Calculus, and next will be Linear Algebra style.

I'm trying to improve myself in mathematics for it's the base of science. I have read Basic math for dummies book although vision told me not to start from the beginning, but to start from last level I was in as I was in high school, but I felt I want to get what I misunderstood in my childhood in math and I did it, but felt it's few knowledge. Yesterday and today, accidentally it was triggered on my mind to deal with the introduction of Calculus with "lim" and first derivative, I think I did it again and understood 'em. Before I was using 'em but I didn't understand their meanings. Now, I felt I need stop little, not to gain more although I gained little to make my mind to normalize what I reached to, to have mental balance. I need to stop now. I understood "instantaneous speed" in Physics as an incarnate problem for the meaning of derivatives.

متوسّط التغيّر هو النّسبة بين فترةٍ من المدى وأخرى من المجال لتعطي تصوّر لنسبة منتظة التغيّر حتى ولو لمنحنى ،بينما معدّل التغيّر هو متوسّط التغيّر عند نقطة أو لحظة

متوسّط التغيّر لفترةً ما على المُنحنى يُساوي ميل القاطع لحدي هذه الفترة والذي يساوي نفس النّسبة المثلثيّة لـ ظا ثيتا ،فالنّسبة المثلثيّة ظا تُعادل مُتوسّط التغيّر وكذا القول في مُعدّل التغيّر

يُحتمل أنّ مُتوسّط التغيّر يُساوي معدّل التغيّر عند نقطةٍ بعينها على المُنحنى

في الدّوال المركّبة أي التي تتوقّف فيها قيمة دالة على أخرى يكون المتغير المستقل س هو المتغيّر التابع ص في الأخرى 

dx = delta x --> 0
y_2 = y + delta y
dy = (y + dy) - y
 y = f(x)

كما أنّ قيمة دلتا س تؤول إلى الصفر ،كذا قيمة دلتا ص تؤول إلى الصفر لتكون دص

الحساب المُباشر لمتوسط التغيّر عند نقطة على مُنحنى الدّالة بقاعدة الدّالة لا يُفيد بقيمة دقيقة ﻷنّ المُشتقة تحسب النّهاية لهذه النقطة فتحسب القيم الدقيقة حول النّقطة أي الميل الذي هو في الحقيقة يختلف باختلاف كل دالة بعد التدقيق وتحويل ما حول النقطة إلى خط مُستقيم دقيق له ميل

التمثيل البياني للدالة هو شكل التغيّر في الداله

الحركة تُجرّد إلى دوال مُمثلة بيانيّاً لشهود التغيّر مجرّداً

المعدّل السالب يعني أنّ قيمة المُتغيّر التابع تقل بهذا المُعدّل وِفقاً لقيمة المُتغيّر المُستقل في النّسبه


Is it right that (true>false)=true for the light removes the shadow. 
 
=========================================
 
كيفيّة إستخدام الدوال المثلثيّة بالتعويض بها في قوانين أخرى للحساب المباشر لمطلوبات ما ولكن التعويض للحساب الغير مباشر للمطلوبات
 
حساب المثلثات يستنبط حسابيّا المقادير الصحيحة للمثلث دون اللجوء إلى القياس المباشر (حل المثلث) وبالمثلث يُستخدم في حل الأشكال الأخرى
 
حساب المثلثات هو التصوّر الواقعي لمثلثات أو أشكال موجودة بالفعل بهذه المقادير المتناسبة بحلّها دون اللجوء لتصوّر أشكال هندسيّة بمقادير جزافيّة 

Saturday, March 28, 2020

Life of art philosophy: Overview

- Studying the real value of man in life.
- All material stuff are reasons for doing art.
- Man most important purpose in life is gaining and behaving art.

- The principle of idealism.
- The concept of paradigm.
- The principle reality.

- The construction, purpose and function.

- The criticism depending on life of art philosophy.
- The superego criticism changes depending on the change in idealism or ego ideals.

Thursday, March 26, 2020

Margin before Life of art philosophy

- Free minds didn't lean on religion thoughts, they searched for philosophies that explains the purpose of life and gives meaning to people existence.

- Heaven is an ideal world.

Tuesday, March 24, 2020

Computers

#1:

Is retro programming more beneficial for beginners training to understand the real nature of programming? It's the command line style and a lot of unique computer art examples.
Command line style with lacking prepared user-interface templates makes the programmer dealing with the zero point of program building. It makes the programmer learn and take an idea about every part of his program because there's nothing prepared and he's the power to decide how his program will look like. It makes him being able to program various free types of programs. Command line style provide free area for the programmer.
Retro programming has a lot of unique computer art examples which can feed the experience of the learning and teach him the creativity. There are many many programming thoughts in those programs. Every programmer of those examples typed his programs with different ways which can be useful for the learner to learn various number of programming techniques of doing things by computer. Those examples are a unique source of creativity.
Although visual programming helps - by deciding some directions and templates - the programmer to apply his program, but the retro programming provides the programmer a free space with creative thoughts.

Monday, March 23, 2020

Plays

#1:

An employee visited the doctor in his clinic, he's problems in his stomach, the doctor discovered the patient problem is psychological one, the employee explained that he's much stress because thinking in how to get more money to feed his family. Another person visited the doctor, he's problems in his vitality and general body health, the doctor discovered the problem is because the low level of food, the patient said that how he can buy high quality food, he's just small worker with small payment. An owner of small shop visited the doctor, he's problem in his lungs although he's not a smoker, the doctor discovered that the place of work of this patient is the problem, it's a street that has a lot number of cars daily, much of unhealthy gases are in the street, the patient explained that he can't take a rest or change his job, he wouldn't be able to feed his family. When the doctor was alone, he thought that he learned in the college that the disease is an accidental action that can happen to man, but he realized that it's an essential thing in his society, and he can't feed himself too if there's no patients.

***

#2:

A noble man went to the mechanic to fix his car, the mechanic when he was working in the noble man car said "It's amazing car, some people are lucky and some others are miserable like me", the noble man heard him and said "Believe me, my friend, no body is happy in this life", the mechanic said "Oh, how that?! you have every thing you want and I'm spending all the day in oil and dirt fixing cars with hope to success all my dreams one day.", the noble man said "Although I've everything I want but I have no purpose in my life, I've no hope like you in tomorrow because I'm not waiting it for anything except that purpose in life like you have."

***

#3:

An engineer was talking with his son who was a student. The son said "They taught us in school that drugs are dangerous, it confuses our thinking and emotions and we'll be separated away of reality and truth", at that time, the father and his son saw a demonstration in the street and people of it were saying "We refuse the French invasion in our country affairs, we don't need money helps from France, we are happy in our life and we are a great nation with long history", the father looked to his son and said "You know now what's the real drugs and what it can cause to your mind. Fake thoughts is worse than drugs, drugs can harm one or some individuals but thoughts can harm the minds of a nation and make 'em not able to see the truth even the real picture of themselves"

Saturday, March 21, 2020

Life of art philosophy

Why money seems valuable purpose? Why money gives good feeling? Money have the ability to get man's needs.

Why man works? What's the valuable purpose of man work? Man works usually to get the necessities and basics like any other animal.

Why man learn? Man learns - and this is one of learning purposes - to be able to use this knowledge in making something useful of things humans use in their life.

So, what's a song, movie, book, literature ... etc useful for?! They are not like foods and material stuff man uses.

The person who learned about universe and gathered a mental image and painted it or played it as music or wrote it as a writing work, gives world a vision.

What do you think people work for every day? Food, mobiles, material stuff, basics and necessities and some of welfare.

***

Points in the consideration:

Civilization
Federalism
habitation and preparing
Congress
skyscraper

Arts:

of computer calculations of a company
of war
of sport
of painting
of making movie or show
of computer art works
of music
of writing
of thinking
of science
of visions of looking in the universe and science
... etc

It seems the purpose of man in this life is to learn and to make everything with artistic way. Food and silly material stuff of man are like a purpose or a reason to push man to discover artistic ways to make 'em. There are some details in the consideration like the world becoming like a small village and the big number of people to provide 'em the products.

***


I want to learn database, but why, I'm not an employee in a company?
Database is an intellectual art, the employee dose it - for example - to manage the data of some silly material products. That silly material products are a realistic reason to use database. The employee learn art of database and gain its art and money, I'll do the same and gain the art of database but I won't gain money. Perhaps, the purpose of the process of company in life is just gaining arts by reasons of work, so I'm doing this noble reason without money, but I'll be hungry for that I've no money :)

***

I didn't say that I'm intelligent, not because humility, but because I really don't know this about myself. I've not the pride of life, but I'm asking my thinking if it's the real valuable thing to be, and how a miserable dark dirty ugly poor low-level life like mine can yield so intelligent thoughts not in highest floor at Skyscrapers in country such as America. When I prove that, I prove that thoughts are real power and it won't be valuable if I've pride of life with lacking powerful thoughts.

***

Making a model - for example - for a house may include some principles of making real one in reality, it has a part of that art. Another art is to make the model to imagine how the real one will be in reality. 

***
The job of constitution can be the framework and general principles of next levels of law.
***
Artistic words an artist says are valuable for the purpose of man is learning and behaving art in life, so the artist is doing the purpose of this philosophy. Without the need of making material product as a proof. 

***

People pay to watch a sport match, the players didn't just play, they had trained professionally, so they make art in their playing in the match, so people is paying to watch an art, and this is not like a silly material stuff. Games themselves have goals like - for example - the basketball whose goal to put the ball in the basket, and this is not a material stuff too, it's just a purpose to make the art of playing itself which people pay - in fact- to watch. 

***

My new philosophy:

Many of man works are to product silly material stuff, that stuff are cheap in their own value or simple and don't deserve that huge effort man make to produce 'em. Yes, man makes another degrees and levels of those stuff but the low levels or the basics can do the job of feeding the needs of man, for example, man made factories to product high and artistic clothes but simple and cheap clothes can do the job like what we see in poor people clothes. These material stuffs are cheap although man can do high degrees of 'em, they don't deserve to be the purpose and the aim of man's life. Animals and non-educated persons seek such stuff and they are their purpose in life. Having much of these stuffs and money make the pride of life, the pride of life is mortal glory and can't be real noble purpose for man in this life. Money helps man to be independent in his life that he make him able to buy all of his material needs and no to be in need to lean on others, but money also is a tool to buy the same silly material stuff, so money is silly material stuff too, and it can't be the purpose of man in his life although it's so necessary for man life in modern society but it'll be like basics and necessities. Material stuff making itself is an artistic processes and this is what I think the valuable point man gain. So, in this philosophy, man's purpose in life is the art, learning it and doing it, thinking by it and gaining it. Man is just an artist, even the crimes, we see artistic crimes and fool crimes. There are various degrees of art among people in every society depending on the level of that society and among different societies themselves.

The money, needs, conditions and silly material stuff are reasons for man to use the art to make 'em.

***

Ignorant individual who made a fool crime because anger and being not able to function to solve his problem, someone can say about him that he's no mind, but this comment can mean that that ignorant criminal isn't surrendered to a kind of system. Man isn't an animal that must surrender to something, but that ignorant criminal has no art in his evil and if he's an art, maybe he would solve his problem in artistic wise way. It's the darkness of ignorance that make man lose the gift of learning an art in his life, so he can't think appropriately and in beautiful way.

***

A beautiful bottle of tasty juice is in fact a simple material stuff, and man can live without it, but people liked it, they'll pay for it, so a lot of money can come from this simple material stuff, so it'll be a simple reason to build huge company that use complex artistic ways to produce these bottles. The most valuable thing in this huge process is the collections of arts employees and workers gain. The money will be sugar piece you give students to learn art. 

***

I add new points for my new philosophy that looks to man's purpose in life as if it's the art.

Principle of idealism: Man is seeking idealism in his doing the art, it's not just - for example - we make a product with particular way but with perfection as we can to reach a particular ideal paradigm.

Paradigm: The ideal image or perfect measurements of doing something, it works with the idealism principle.

Principle of reality or realism: If we have a paradigm, our situation or equipment can't allow us to done that paradigm in its perfect way, but we are done the most perfect thing allowed in our situation.

Example:

From the principle of idealism we'll seek to make a perfect show, we have a paradigm, some unique American movies, they are the best example in this field, but we can't do like those shows with our limited resources, so we do the best possible show with our possible resources and that American shows are our paradigms, and this is of the principle of reality.

***

I'll add some points in life of art philosophy:

- Nature is ideal and realistic in the same time. It's perfections and agrees with reality and its requirements.

Criticism in this philosophy:

- In superego of man, he learn to use his ideals in criticism, he can learn right or wrong ideals and depending on that he'll think and look to himself or others in reality.
- Man who's no art of doing anything is like an empty person or invaluable person, a person without aim in life, cheap one.

- Some people have no paradigm, they are lost in life, or they have inappropriate one, they are deceived and act ugly works because they have fake measurements of idealism. A problem in idealism and realism principles.

- Some people have hopes of pride of life, lust of flesh or lust of eyes without learning an art to reach to their aims, and their aims can't be considered as paradigms. Their way is against the realism principle, they do no art in reality.

***
An example in life of art philosophy for new points:

In basket ball game we have:

1. Determined area of game, the playground.
2. One ball with one purpose.
3. Decided known laws of game.
4. Contradiction and preventing with two teams.
5. Competition and it comes from step 4.

So, everything were decided and known, we have nothing new, but the new will come is the various forms of playing to success the purpose of the game.

If there's no contradiction nor preventing, there's no art and no meaning in the art to put the ball in the basket, but with the trying of preventing, there's sense to make artistic ways of playing.

The laws of game decide too the art of game.

***


Cars are not complex like computers. I've no clear information that middle east made pure car. How that although I assume that making car with its basics isn't that complex. Why they failed to make one good car with car's basics. I'm not talking about Limousine, I'm talking about good basic car.

Depending on life of art philosophy, what they are lacking of the art of making pure primary car.

***

They said there's a car made in Saudi Arabia, I looked to it, maybe it's the form of idealism, maybe it lacks the realism principles, to make good car like American one isn't by the ideal form but care in realism, a car with perfect points and agree and deal with reality. There's money in Saudi case that can bring what it's needed of science and materials to make pure car. I afraid that it's in the end must to be imitation.

In Egyptian case I saw, the car has no any fancy in its form, it was a try to make a car with its basics, but it's no idealism and maybe can't deal with reality as it's supposed to be.

***

- In civil government system, we have a paradigm of ideal civil country, and we have also conditions of reality of particular place that impact in the way we form with the ideal civilization in reality of this place.

- In law forming we have ideal principles and reality conditions.

***


Another points for life of art philosophy to study:
- Dose homosexuality make the artist invaluable although good art he knows and dose?
- Dose making love with a woman make her value less, is the woman less than man in the life of art philosophy?
- Why we feel like that in previous points?

***

Another point in life of art philosophy:
- The construction and function or behaviour.

We can see three rabbits - for example - and each one has the same construction of the other, where's the art? Is it in the construction itself or in the functions of the rabbits?

In fact, both of construction and function are connected; depending on the construction, the function will be and we'll have various forms of the rabbit behaviours in different situations. 

***

We can add purpose of construction with construction and function.

We notice that car has a construction like the rabbit has a one, but rabbit has instincts and spirit, but car has a driver rather than that. 

***
Comparison of horse with rider and car with driver vs rabbit with instinct and spirit and car with driver.
***
Tools of mechanic equipment box - for example - are like new organs you add to your body and make new arts, but a car is like a creature. 

***

The hockey player has a change in the construction for the game purposes, he has stuffs of protection in his clothes and clothes manner that makes him the creature of hockey :) and stick, a new organ.  

***

Police man learns in the academic level the theory; with practice learns to apply the theory in reality to gain some skills and the ability to run the theory in reality; he gains some experience; in real crimes invasions, he build the real experience. He'll have art and experience of that art. 

***

We know now that it was weak thinking when a child wished to be police man to beat guys; now, we know it's kind of art for a purpose. 

***

Writing is a speaking on a paper and pen is the tongue.

(Life of art philosophy)

***

I'm in our small shop in the house, I wanted to make a cup of tea in the kitchen, my problem is that there's a possible cat can come to the house from door A of the shop and if it come in door C, it'll be so difficult to bring it out of the house which has many stories, I found it a silly problem like linear programming in math.

The object is: To make a cup of tea
The constraints:
- Don't make the cat invade the house
- Watch the shop every time from the kitchen.

If I closed door B, I won't be able to watch the shop.
If I keep watching and in the same time go to see the boiling water, it's possible for a cat in invade the house.
If I closed the door C, the cat can invade only one apartment that I'm in and it'll be so possible to bring it out. This is the best solution.

Although, it's silly problem but it had an art. I'm thinking now where's the part of art in thinking.

***
I found problems to apply my philosophy in many things, but I'm trying.

I found a problem for example to define a kite, and I found it like a bird, and child plays with it gives it the spirit and instincts, the playing itself is the art, maybe its purpose to keep it flying. I didn't play this game well yet.
 ***
I found a problem to consider the kite as a bird because its solidity but I found the car has the same problem when we compare it with animals we ride. Anyway, man-made things are based on mathematical formulas but natural things are based on natural formulas. 

***

Children should learn and play games. It's a way to train 'em early to gain arts and the nature and skills of accepting learning how things work. We see many adult people in many countries who have no art of thinking nor of doing anything. 

***

I tried to make a game with cards. Every time, you pick three cards:
- If there's no heart nor spade in your three cards, you take 1 point
- If there's a heart or more, you take 1 point for each heart cards + 1 point of the thrown three cards you take normally.
- If there's a spade or more, you take -1 point for each card.
- When you start the game, you've 5 points free in your score.

Suppose that you picked 3 cards, one of 'em is heart and there's no spade, your score will be 5 + 1 +1

Suppose that you picked 3 cards, one of 'em is spade, your score will be 7 + 1 - 1

... etc

 ***

I looked to some machines and tools to figure how can we define 'em, and I found that the appropriate thing to classify 'em as tools and machines of production line.

For example: The woman who makes a cake in kitchen, uses oven, blender to make the Chantilly cream, knife and good dishes for presenting the cake, fridge to save the cake to the time of presenting, washing machine after that all ... etc , it's like a production line.

***
It's not wise to learn how to use tools of fixing a mother board without knowing first what's mother board and its construction and how it works. 
***
What's about furniture and houses?
I think it all belongs to needs of living actions in a place like house or apartment. Stuff for meeting and inviting others, watching TV, eating, sleeping, bathroom ... etc
It all belongs to the planning of place and its construction.
 ***
Things we didn't discuss yet, the construction of place, stage, arena, field of war, playground.

The place of artistic actions has a construction and planning.
 ***
You hear news about someone that he's bad or ugly or behaving inappropriately. You know that's not what's supposed to be because you have a paradigm for that person and his paradigm tells that he's an artist.  

***
Criticism:

In production line, the aim is the products, every worker has his role, if a worker made more than one role, it'll be not fair, because another worker doesn't do his role, and it means that we focus in the work of the worker not the production. It's good if the worker dose his work without suffering, but if we said he must suffer to prove that he works, we again focus on worker not the production, no sense, it's unconscious way of looking to work. Exchange the roles of the manager doesn't like the current order, but don't make a worker doing two roles without necessary, if you thought this worker doesn't work, so his role is more than what work needs, so make him leave the work at all and look if the work missed him after that or not. You don't understand, you focus in worker, not the production, and this is wrong. There's no art when we say the purpose of the work is to make the worker work and he must prove that. The final production is the aim and purpose, it's the proof. 

What's production in few words, it's producing a product, it's not just make the worker work anything, it's the effective work of a worker in his role that helps the final product to be, so the unconscious work like just making the worker just work anything makes the worker the subject of the production process. The product isn't made because the worker works anything or keep working, it's because the worker is doing his role in the production process to yield the product. The product is the subject, not the worker. Keep the worker works, this is what will produce the production, no sense in this. What the worker is doing and what's it for, this is the questions to figure out what will make our product. 

Example, suppose a factory is making pampers for babes, the manager or supervisor asks the new worker "do you know what we are doing here?", the final product - for example - is pampers, we have production line, do you know what production line means? now there are many stations in this line, A B C ... etc, your work - for example - is in station E, you receive works from D and prepare the product for station F, you have a role. Now, when the worker make a fault that prevent producing in the line as what it supposed to be, it'll be a sensible problem belongs to our production but if the worker just keep working anything, what dose this mean? what's it useful in for our product?!! it's not by working anything or just working what will make the product, it's the effective sensible work of worker in his role. 

If we have a Jewish worker in our factory, and we decided to fuc* him, but we have to make him chose that as his free decision, we don't talk about art nor work here, we are talking about something so ugly. We are talking about crime or war. It can be another art too. 

***

Now, the philosophy of life of art can be applied with some way on some good fields in life like sport, music, movies, industry and companies, and some inventions. It can be used to criticize some situations and form of thinking. 

***
Let's analyze "Get hard" movie depending on life of art philosophy. Law of country makes a system in its state, Nelson made an art, he gained illegal money and made Will Ferrell bear the responsibility without he knows; another part of art is when Will by Kevin help tries to prove that he's not guilty and gets the proof. The state is the playground with the crime rules.

Another part of art, when Will was sure that he'll go to prison, he's no idea about that place (art) rules and nature, he asked Kevin to prepare him for prison for some money to solve Kevin problem. The prison is another internal area in the state with it's rules and needs another kind of art.

Another art is Kevin tries to improve his living, the art of living in civil place.

In "Get hard" movie also, Will in comedy part of the movie went to prison for 6 months but he was prepared for this experience and got real experience, he changed or by other words he gained the art of that level and that places. It's kind of art he was lacking before in his welfare life.

Also in "Get hard" movie, Kevin hasn't a real experience about prison, he doesn't know about that art, he asked someone was in prison to gain of his experience. It's academic level to get knowledge about kind of art. 

***
In basket ball game, the art that happens in a match is the data of the analysis. 

***
In computer program graphics demo, you put rules of art, mathematics equations of how objects can act on the screen.

In basketball game, the players act depending on rules they know and the coach vision.

In a company, linear programming can be used with its art rules to give many visions of how things are going on.

***

Kid asks his father for some tools, like sport tools, modern calculator, good computer ... etc, but gaining tools doesn't mean gaining their arts, you have to learn arts that use these tools to make these tools effective and useful for your work otherwise these tools will be useless. I think it belongs to the principle of reality.

(Life of art philosophy)

***

Having art tools doesn't mean you gained the art itself.

(Life of art philosophy)

***

It's not necessary at all to know much mathematics to learn good programming, but it's the principle of idealism, it's ideal to be strong in mathematics to be able to program high artistic programs. Put a paradigm for this idealism.

Paradigm of ideal model provides measurements that you use to judge your work nobility.

(Life of art philosophy)

***

Mathematics is the abstracted skeleton of the art of a matter, and a particular matter is the incarnation of mathematics rules.

(Life of art philosophy)
 

Sunday, March 15, 2020

Kevin Hart Quotes Arabic Translation

- أَعتَقدُ أنّهُ لو رُكلَ شخصٌ في وجههِ أنّهُ خطؤهم ،لقد راقبوا القدم وهي مُتوجهةٌ لوجوههم.

- السُمعةُ كعاملٍ شديدٍ هي سُمعةٌ طيّبةٌ للإقتناء.

Saturday, March 7, 2020

Untitled

- Taking the image of standard measurements makes individual qualified to manage the tools or persons for making an organized project which has sense, meaning, purpose and benefit.

- Aims should be over necessities. Both of non-educated individuals and animals seek necessities only in life while man can live with limited necessities but with high aims.

- Imprudent promises would force you to do against the nobility you respected before.

- If you'll die, eat of the died dog the amount that just will keep you alive.

- Maybe man works in world because he's seeking finding himself.

- The word guides you in same life details you are through, Evil one guide you in same life details you are through. It's guidance without knowing the reasoning of things of life around you.

Tuesday, March 3, 2020

Demi Lovato songs Arabic translations

"قُلوبُ أُسود"

أَشعتُكـَ داخلي
مثلُ زئيرٍ هائِج
مثلُ ميلادِ المُحيط
أنتَ في عُروقي

صوتُكـَ هو الطُمَأنينه
عندما تغيبُ الشمس
والقوّة التي وجدتُها
هو في عروقي

قصّتُنا تربِطُنا
مثلَ الصوابِ والخطَأ
يدُكـَ في يدِي
نمشي إلى نبضِ الإعصَار

ونحنُ نمشي معاً إلى النّور
وحُبّي سيكونُ درعُكـَ الليله
نحنُ قلوبُ أُسود

ونحنُ نقفُ معاً في مواجهةِ حرب
وحُبّنا سوف يقهرُها كلَّها
نحنُ قلوبُ أُسود

أنتَ هنا مثلُ الشّبح
عندما يحكُمُ الظلام
أنتَ ألمعُ قمر
وأنا في أمان

قصّتُنا تربِطُنا
مثلَ الصوابِ والخطَأ
يدُكـَ في يدِي
نمشي إلى نبضِ الإعصَار

ونحنُ نمشي معاً إلى النّور
وحُبّي سيكونُ درعُكـَ الليله
نحنُ قلوبُ أُسود

ونحنُ نقفُ معاً في مواجهةِ حرب
وحُبّنا سوف يقهرُها كلَّها
نحنُ قلوبُ أُسود

لستَ أبداً بعيداً عن حيثما أكون
مثلَ المنارةِ تُوصِلُني الموطِن
لستَ أبداً بعيداً منّي
إجعل روحَكـ تُشِع

ونحنُ نمشي معاً إلى النّور
وحُبّي سيكونُ درعُكـَ الليله
نحنُ قلوبُ أُسود

ونحنُ نقفُ معاً في مواجهةِ حرب
وحُبّنا سوف يقهرُها كلَّها
نحنُ قلوبُ أُسود

ونحنُ نمشي معاً إلى النّور
وحُبّي سيكونُ درعُكـَ الليله
نحنُ قلوبُ أُسود

Walter poems Arabic translation

غيبهْ

هنا ،أبداً مُنذُ أنْ ذهبتَ خارجا،
لو كانَ هناكـَ تغيّرٌ ،فلا تغيّرٌ أرى:
فقط أمشي طريقَنا المُعتاد،
الطريقُ يُمشى بي فقط.

أجلْ ؛نسيتْ ؛هناكـَ تغيّر --
إنْ كان ممّا تُرحّبُ بهِ لأقولَه؟
ألتمسُ الأوقات ،الأوقاتَ التي أفتقدها
الرؤيه ،النبرة ،التي أعرفها جيّدا.

شهرانِ فقط مُنذُ وقفتَ هنا؟
شهرانِ اثنانِ قصيران؟ فأخبرني إذاً لماذا
الأصواتُ أقسى ممّا كانت،
والدموعُ أطولُ قبلَ أنْ تجفْ.

Absence

 ***********************************************************************************

الخريف

 وديعٌ إِنصرامُ العام ،وحلوٌ
عطرُ الرذاذِ المُتساقط؛
تمرُّ الحياةُ بتفلّتٍ عنيف،
واللابلسميّةُ هي ختامُ يومِها.

أنتظرُ نهياتَه ،أتملّقُ عُتمَته،
لكن أتأسّفُ أنّهُ لن تسْقطَ هناكـَ
أو على صدري أو على قبري
الدمعةُ التي سوف تُعزّيها كُلّها

Autumn

***********************************************************************************

الموتُ قائمٌ عليّ

الموتُ قائمٌ عليَّ ،يُبوحُ في خُفوت
لا أعلمُ ما الذي إلى أُذُني:
من لُغتِهِ الغريبةِ كلُّ ما أعلمُه
هو ،ليس هناكـ كلمةٌ من خوف.

Death stands above me

***********************************************************************************

أُناشدكـ ألفريد

أُنَاشدُكـَ ،أَلفريد تنيسون،
أَقبل وشاركني فخذَ الظبي.
لديَّ كذلكـَ وعاءٌ من النّبيذِ الأحمر،
جيّدٌ ،لكنّهُ أفضل عندما تتشاركه.
رَغمَ أنّهُ مُجرّدُ وعاءٍ صغير،
هناكـَ مخزونٌ منهُ بالداخل.
وكما بالتأكّيدِ أَنّي سجّاع،
نِصفُ برميلٍ من نبيذِ الروديشيمر.
تعالوا؛ من بين كلِّ أبناءِ الرجال هناكـ واحد
مُرحبٌ بهِ أكثرَ من أَلفريد تنيسون؟!


***********************************************************************************

في الربيعِ والصيف...

في الربيعِ والصيفِ قد تهُبُّ الرّياح،
وبعد ذلكـ يهطلُ المطر ،قويّاً وسريعا؛
الأوراقُ الرقيقه ،لو ضُربت بلُطف،
تلمع ولكنّها أكثرُ بالإستحمامِ والهُبوب

لكن عندما تصِلُ ساعتها المحتومه،
عندما غادرَ الحصّادون الحقلَ من مُدّه،
عندما تُنقّبُ العذارى خلايا النّحل المُكتشفه،
ويُنتِجُ التّفاحُ النّاضجُ آخر عُصارتِه،

ورقةٌ ربّما لازالت باقيه
فوقَ شجرةٍ مُنزويةٍ بعض الشيء،
رغم الريح والمطر ...
شيءٌ لا تنتبهُ إليهِ إن رأيته.

في النّهايةِ تسقُط. من يُبالي؟ لا أحد:
بل ليس من قوّةٍ على الأرض أبداً
تُرجعُ الورقةَ السّاقطةَ فوق
أصلها ،البسيطةُ جدّاً في الإنفصال.

لو هكذا الحب ،لا أجرؤُ أنْ أقول.
هكذا الصّداقة ،أعلمها جيّدا:
لقد استمتعتُ بيوميَ الصيفيْ؛
إنّهُ الماضي ؛ورقتي الآن ترقُدُ في الأسفل.



***********************************************************************************

على كتولوس 

 لا تُخبرني عمّا أعلمُهُ حسناً جدّا
عن شاعرِ سيرميو.
أجل ،في بنِ ثاليا
هكذا لَطخاتٌ هناكـ -- مثلُ متى ربّةُ حُسنٍ
تنثُرُ وجهَ أحدٍ يضحكـ
بالرحيق ،ثمّ يذهب.


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 إسمٌ واحدٌ محبوب

إسمٌ واحدٌ محبوبٌ يُريّنُ أُغنيتي،
وَ، قاطنٌ في القلب،
إلى الأبدِ يتلعثمُ على لساني،
ويرتجفُ عند إقلاعِه.

One lovely name

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 روز أيلمر

آهٍ ما يُفيدُ النّسلَ الملكي؟!
آهٍ ما أعجبَ الهيئة اللاهوتيّه!
ما أعجبَ كلَّ مزيّةٍ ،كلَّ فضل!
روز أيلمر ،كانت كلَّكُن.
روز أيلمر ،مَن هاتان العينان اليقِظتان
قد تنتحب ،لكن أبداً لن تراها،
ليلةٌ من الذكرياتِ والتنهُدات
كرّستُها لكـ.

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الياقوتُ الأصفرُ والأحمرُ

الياقوتُ الأصفرُ والأحمرُ الذي يُحضرُه باخوس
ليكلّل الحفلَ حيثُ تنتعظُ الجبهةُ ذاتُ العروق،
حيثُ العذارى يستحينَ ممّا يُغنّيهِ العازف،
اللاتي أُشتُهينَ قد يشتهين الآن.

أحضر لي، في حُجيرةٍ هادئه، العنب الذي لم يُسحق،
الخوخَ لُبّي الوجنةِ والمُغطّى بالزغبِ النّاعم،
حيثُ كلّ صوتٍ (إلا الطيور أو الأطفال) ساكن،
وكلّ فكرةٍ، مثل الجدير القريب ،تمشي رائقه.

The Chrysolites and Rubies Bacchus Brings

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رثاءُ عذراء

لمُ أُحبَّه؛ وفوق ذلكـ، قد ذهبَ الآن،
أشعُرُ أنّني وحيده.
كُنتُ أرمُقُهُ بينما يتكلّم؛ فوق ذلكـ، لو استطاع التكلّم،
وا أسفاه! ما كُنتُ ﻷرمُقَه.
ﻷسبابٍ غير محبّته وقتما نشدتُه،
وأربكتُ كلَّ فكري
لإغاظتي وإياه: الآن لكنتُ أعطيته
حُبّي فقط أنْ يعيش
من عاش مؤخّراً لي، و، عندما وجد
أنّهُ باطل ،في الأرض المُقدّسة
وارى وجههُ بين ظلال الموت!
بذلتُ من أجلهِ أنفاسي
من بذلَ أنفاسهُ لي! لكنّ أنفاسي ترجع،
وهذا النّهدُ الممزّقُ يشتعل
بحرٍّ خانق ،يخفق بهِ في النّوم،
ويُوقظني ﻷنتحب
الدموعُ التي أذابت قلبه الرقيق: لسنين
كان يجهشها قارصه!
إلهي الرحيم! هكذا كانت صلاته الأخيره،
ألّا تُشاركني تلكـ.
أكثرُ هدوءاً أنفاسه، أكثرُ برودةً صدره،
من زهور الأقحوان في تُربة القبر،
حيثُ يلفظُ الأطفال بميلٍ من فناء الكنيسة،
اسمهُ وتاريخ حياته المقتضب.
صلّوا من أجله ،أيتها الأرواح ذات المرؤة ،أيّاً من كنتم،
و نعم! صلّوا من أجلي كذلكـ!

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إلى روبرت الأسمر

هناكـَ بهجةٌ في الغناء ،رغم أنْ لا أحدٌ يستمع
إلى جانب المُغنّي؛ وهناكـَ بهجةٌ
في الحمد، رغم أنّ الحامد يجلسُ وحيداً
ويرى المحمود بعيداً عنه، بعيداً فوق.
ليس شكسبيرُ شاعرنا، بل العالم،
لذا لن يكون فيه خطاب! ومُوجزٌ من أجلكـ،
الأسمر! مُنذُ كان تشوسر حيّاً وصحيحا،
ليس من أحدٍ يمشي طُرقنا بخطوةٍ
نشيطةٍ جدّا، بعينٍ باحثةٍ مُستفسرةٍ جدّا ،أو بلسانٍ
مُتعددٍ في الحديث. لكن الأجواء الدافئه
تُعطي ريشاً ألمع ،جناحاً أقوى: نسيم
إرتفاعاتِ القمّة الذي لعبتَ أنتَ به، محمولاً عليه
إلى ما وراء سورينتو وأمالفي، حيثُ
ينتظركـَ النّفير، يُغنّي أُغنيةً مقابل أغنيه.


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كورينا، من أثينا، إلى طنجره

 طنجره! لا تظنّي أنّي أنسى
طُرقكـِ المُتراصفة بجمال؛
كُوني على يقينٍ أنّ ذاكرتي مازالت تغتسل بعد
في ثيرمودون الرائق، وتُرحّبُ بعد
بالغلامِ البرّي الحرِّ خالي البال،
الذي ثديهُ مُمتلئٌ بالفرح
عندما قبلنا سلّتهُ المجدوله
الممتلئة بفواكهِ الغاب ؛بعيداً يربض ،ويرقُب.

أَعدُ بأنْ أُحضر معي
ما سوف بالنّقلِ تستلميه،
الهديّة الوحيدة المناسبة لكـ،
التي لن يحرم فانٍ منها
في الأيام الأخيرة جدرانكـِ العتيقه،
حتى سقوط آخر بُرجٍ قديم؛
تاج، تاجٌ من غنائم أثينا!
تاجٌ لا يستطيعُ إلهٌ أن يضعه ،إلى جانب بنِ لاتونا.

قد يكونُ هناكـ المدن التي ترفض
لابنها الشرف الذي يستحقّه،
وينظرن بلا تقديرٍ لربّة الإلهام؛
لكن أبداً سوف يتحسرن على
الصدر الجافّ، اللامُنتج، الشحيح،
الذي لا يُقدّم قوتاً، ولا راحه،
لذاكـ الجبين اليافع الذي قريباً سيرتفع
بكبرياء، بقوةٍ ومجد، إلى السموات.

بحلاوةٍ حيثُ يتدفّقُ نهرُ الديركـ في الكهوف
العذارى ذوات الأذرع البيضاء يُغنين قصيدتي،
يخفقن بزهر الغار طيلة الوقت
يُبعدن جماعات جمع العسل؛
وبحلاوةٍ، بحلاوة، الألسن الأثينيّه
تلهجُ بأغاني كورينتكـِ الأولى؛
إليها بأوزانٍ أكثر رشاقةٍ تأتي
الأبياتُ التي قطنت في الصدور الشقيقة في الموطن.

دعي أولادكـ يعتمدون بميل
قِبلَ رُكبة الأمّ الحنون،
ويتأملوا وجهها، ويُريدون
أن يعرفوا ما السحر هناكـ
في الكلماتِ التي تحثُّ العيون على الرقص،
بينما الآخرون كما في غشيةٍ مُقدّسه
ينظرون إلى الملكوت؛ فليكن مثلُ هكذا مدحي!
لماذا أتلكّأ؟ يجب أن أتعجّل ،أو أخسر أكاليل الدّلفي.


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بيت

تعيشُ هيلين ماضي أليون العتيق،
تقومُ ألكيستس من الظُلمات.
يستدعيهم بيت القصيد قُدُما؛ البيتُ الذي يهب
الشباب الخالد للعذارى الفانيه.

قريباً سوف حجابُ النسيانِ العميق
يُغطي كل التلال المأهولة التي تراها،
الحي، الفخور، بينما العُشّاق يهتفون
هذهِ الصيوف لي ولكـ.


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